In their lavishly decorated interior spaces, men could fulfill erotic fantasies, satiate physical desires, and see everywhere reflected the outward signs of their own wealth and status.
Malek Alloula, The Colonial Harem, trans.The brothel is situated at the intersection of two side roads on Via dellAbbondanza near the town centre, not far from the Forum and the Stabian Baths (which had a rear entrance on the Vicolo del Lupanare).To enact these fantasies, brothels employed not just thematically furnished rooms, with a multitude of authenticating details, but ultimately went beyond representation by staging multi-sensory erotic performances complete with costumes, music, fragrance, and female bodies.Distributed at hotels in the heart of Paris, the pocket-sized pamphlet had a simple black cover and, inside, illustrations of different rooms in the brothel including a Turkish boudoir and an entry hall designed to resemble a grotto.2 The first of these images, L'Entrée (fig.The decision to seek out the brothel, however, was in itself a choice fraught with contradictory consequences and meanings.Denis Hollier (Cambridge, MA; London, England: Harvard University Press, 1989 704.Antony Copley, Sexual Moralities in France, (London; New York: Routledge, 1992.While nineteenth-century authorities on prostitution had asserted that an irrepressible, natural male sexual drive necessitated the existence of brothels, it is more likely that men, single or married, went there in part to escape these oppressive discourses of degeneration, emasculation, and impotence.21.Mario Praz, An Illustrated History of Interior Decoration: From Pompeii to Art Nouveau (New York: Thames and Hudson, 1982 152.
Mynra Godzich and Wlad Godzich (Minneapolis: University of Minnesota Press, 1986.
And it did so within the reassuringly safe and familiar confines of a Parisian hôtel particulier.
Divisions between reality and fantasy, normal and transgressive were seamlessly blurred."The king's objects Auslander comments, " were the king, and consequently the style of these objects belonged to the king."39 This strong psychological association between particular styles and monarchs continued into the nineteenth century.Alan Sheridan (Cambridge, MA: Harvard University Press, 1990 123.Albrecht The Nostalgia of Nowhere.Jahrhunderts Reviewed by Caterina Pierre Jean-Jacques Henner, Le dernier des romantiques Reviewed by Gabriel.I hold that what was at stake here was the desire to traverse the imagined boundaries of ordinary middle-class masculine sexual identity.Des diary of a escort Esseintes constructs a dining room designed to mimic a ship's cabin which allows him to enjoy, all the sensations of a long sea-voyage, without ever leaving home; the pleasure of moving from place to place, a pleasure which in fact exists only in recollection.For more on the eroticization of travel see Henri Lefebvre who has written about the association of sex and sexuality with places of leisure, such as vacation spots.
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